Directed by some of most well known Chinese-language directors of the time, the portmanteau film Four Moods was an attempt to alleviate Li Han-hsiang’s financial troubles during the late 1960s. Arguably one of his best works, King Hu’s short Anger is an adaptation of the famous Peking opera San Cha Kou; set to opera instrumentation and stylishly shot, the film deftly captures the tense showdown between political schemers, avengers and vagabonds inside an inn. Li Han-hsiang’s Happiness, inspired by the Strange Tales of Liaozhai, tells a tale of reprieve for a kind-hearted ghost, while Pai Ching-Jui’s Joy and Lee Hsing’s Sadness both explore the fateful encounters between mortal men and ghostly women.

Three tales taken from author Pu Songling's collection of famous classical ghost stories. Pian Pian- A man shows no signs of repentance and continues to flirt even after he is married. Judge Lu- Judge Lu's magical powers help Zhu to get top marks in the Imperial Examinations. Lotus the Fairy-A student is blinded in an attempt to save a lotus fairy from a sorcerer.