Directed by some of most well known Chinese-language directors of the time, the portmanteau film Four Moods was an attempt to alleviate Li Han-hsiang’s financial troubles during the late 1960s. Arguably one of his best works, King Hu’s short Anger is an adaptation of the famous Peking opera San Cha Kou; set to opera instrumentation and stylishly shot, the film deftly captures the tense showdown between political schemers, avengers and vagabonds inside an inn. Li Han-hsiang’s Happiness, inspired by the Strange Tales of Liaozhai, tells a tale of reprieve for a kind-hearted ghost, while Pai Ching-Jui’s Joy and Lee Hsing’s Sadness both explore the fateful encounters between mortal men and ghostly women.

Fan Kao-to is a worker who had enough of corruption in Shanghai. He tries to crush the organization alone. An attempt has been made before but ended up with the big Axe Gang, several of their brands in the man. The man's sister arrives in Shanghai at the same time as Fan Kao-to go out on one-man war, and she wants to do her in the fight, also, she takes the war personally.